Search My Blog...

Thursday, 21 October 2010

Norse Projects x Hestra ‘Staale’ Gloves

Norse Projects have drafted in gloves specialist Hestra to create some luxury hand covers for their Autumn/Winter collection.

I say heritage, I mean heritage! Hestra have been making gloves since 1936 and is named after the Swedish town where the company was founded and is still run by a 3rd generation family member who still handles all manufacturing and material sourcing. Made from 100% deerskin with a 100% wool lining, Hestra haven’t held back on these gloves either, applying their mastership to create a super high-end glove with simplistic styling.

Contrast stitching adds a bit of colour-pop to the gloves which come in a really nice Tan or Yellow and a classic Black. Added detail such as the embossed collaborative branding on the wrist and the Norse tab that we have all become oh so familiar with are both nice touches. For those that know the Norse tab well, you may be shocked to see that their usual slogan of “Created to improve life. Good for all seasons.” has been replaced with “A product of the cold cold north.” ...Ice. Cold. Cool.

This collaboration highlights yet another product moving towards the macro trend of the 'resurgence of traditionalism and heritage' which I have been following since the start of the year, right back to my study of Birmingham where I was inspired by the shop window of Gieves & Hawkes. The simplicity and quality of these gloves stays true to the essence and tradition of Scandinavian workwear brands, where the region is pretty much in a league of its own.

Over the last few years I have noticed the influx of Scandinavian brands such as Norse Projects, Humor, Fjoar Raven etc. growing in popularity within menswear fashion. I beleive that this is because they offer more transparency and less myth/mystery around the brand in terms of design inspiration and the essence i.e. Norse Projects has been born out of the admiration of strong, robust and practical Norweigen workwear aesthetics - similar to that of Nigel Cabourn or Barbour in terms of British brands. There is slowly a cultural shift moving from big names and brash logo's towards an appeal of the crafted, functional and niche clothing brands (just look at how 'cool' has shifted towards the introvert and 'geek'!) Expect to see more lesser known brands coming to the limelight and mainstream as a result of the current 'Conviviality Culture', which I will explain further in a later post.

For now though...
Grab a pair of these winter warmers from Goodhood from £60 a pair.

Tuesday, 6 July 2010

You Know You're Lookin at a Winner

It has been a long time. Almost forgot my password to this blog but I am back!

The main reason for setting this up was to be entered into a competition which ran across all Fashion Marketing/Communication levels of study at Uni (freshers to 3rd years) which was being used by the marketing dept. to show how vital travelling and field trips/research are to enhanching your skills for your course. As I didn't go to New York, I based my research on the 'UK Fashion Marketing & Branding Environment' in a city of my choice - Brum.
And from this I did what I did, here is the blog and I am the winner of the 1st Years competition... earning myself a little £75 voucher to spend at the Victoria Centre in Notts (which works out at about £2.50 an hour considering the amount of time I spent in Birmingham photographing things and then responding to them via this blog). However it's always a good thing to be rewarded for your efforts - no matter how big or small!

Since I have won the competition I have been knuckling down to finish all of my portfolio and projects etc. off for the first year and interned for 2 weeks at The Trend Boutique as a Trend Reseacher/Cool Finder which was REALLY good...

For now though...

You Know You're Lookin at a Winner. LISTEN<<

Monday, 29 March 2010

Stripe-in 'ell. Lacoste, Office. Birmingham

The Lacoste shop window was looking very stripey, featuring some stripey SS10 garments. The preppy, slim fitted, sailor style is back again and Lacoste have naturally hopped on the band wagon (or yacht/barge!)
très rayure


Office also used the stripe visuals in their VM which is synonymous with the brand identity with the 3D diagonal stripes. The shoe stand I thought was particularly interesting because of the emphasis on geometry and clean lines. The perspex shoe stand makes the shoes look like they are invisibly stacked. Nice

Wednesday, 24 March 2010

MASS APPEAL - All Saints & Kurt Geiger, Birmingham

'Wha wha what's goin' on...'

Sorry, it was where I got the idea of this post name from so I had to throw in a link// Classic old school tune, love it. LISTEN <<

I saw in Birmingham that both All Saints and Kurt Geiger within the Bullring had gone for the mass product look within their VM, stacked with surgically positioned and perfectly aligned grids which caught my iris'...


Kurt Geiger had gone for something a bit different, whether it was trying to cut costs or to show that they can trust the good and honest Birmingham public (lol!) by having no form of security between the product and consumer. It's interesting using the front of the shop almost just as storage/shelf space, proudly putting the products on show and makes the store feel more open. I liked the geometric style using the shoes almost as pattern being reflected and refracted by the mirrored boxes.
All Saints went for more of a vintage, antique style take with their mass styled VM. About 100 Singer sewing machines stacked in formation could also be a reference to heritage and craftsmanship and relate back to the handcrafted, more unique cut garments produced by the brand and perhaps amplify the vintage quality. I think this was my favourite shop window in Birmingham although the photos don't really do it justice.

Seeing about 100 sewing machines meticulously placed in metal cages in the shop window, under low light, recalls the modernism push of mass production and how it was worshiped pre 1950s and makes an interesting, quriky and charismatic front window.

Tuesday, 23 March 2010

Halls of Fame - DKNY & Armani Exchange, Birmingham


Step right in...

The thing which interested me in these 2 stores, more so than their clothes! is the 'lobby style' entrance as a halfway point between the outside and the interiors. The hallway acts as a comfort/de-clutter zone almost, taking you out from the hustle and bustle of the busy streets into a more relaxed, cleaner and stylish interior. It sets you up before you go into the store and makes you feel like you are stepping into a different sort of environment where it is actually worth being in, by having an extended entrance unlike the average POP'n'SHOP within the mid-market with a simple door. The space also gives the brand a few extra footsteps to make your mouth water and increase your excitement to get in. This relates to the point I made earlier of brands needing to sell more of an experience within their physical stores because it is so easy to buy online, brands need to increase the incentive for us to get off our back-sides and make the effort to purchase instore.


The Armani Exchange store has also used this idea of a hallway but taken it a step further by making it even more interactive with the consumer, employing a resident DJ to bang out the tunes in the shop window. Personally I have always loved this idea of combining fashion and live music and feel that it can be a really powerful method to talk to the consumer, obviously more so if the brand has a musical/creative personality or connection.
Diesel 'Only the Brave' Block Party, Paris Feat. Common LIVE!
<< My favourite example of a fashion brand and live music COOL_laborating... Common KILLS IT!

I think Selfridges, Birmingham tried to get away with just blaring music from the equipment and no actual real DJ a couple of years ago within the menswear section of the store. I feel that it is pointless just having the equipment and no one actually being DJ, pretty much takes the point away and loses the personal interaction value into just unneccessary loud music.
This whole DJ, Club Anthem vibe fitted perfectly to the brands target consumer at the Armani Exchange and plays out directly to the market of 'clubwear'/weekend smart-casuals. I can imagine the concept being most appreciated by the early twenties/late teens all over Birmingham who will be looking for clothing with a bit more substance rather than your generic, common Henleys, Soviet, Firetrap or GioGoi which would be the young male clubbers 1st point of call. Pretty boy, would've been/could've been semi-professional footballer-chic.
Armani Exchange plays out to the male 'weekender' mainstream, offering a slightly more upmarket, affordable-designer luxury...

As well as offering more space for advertising and offering a slightly different retail environment (a bit like a club!) the idea of using a hallway style space is more interactive, giving a brand a few extra seconds to sell the experience/brand message which could have a massive impact on the consumer! I like it.

Friday, 19 March 2010

SS10 VM Geek chic/90's Prep - DKNY, River Island, Topman

Embrace the martian...

More visual trends, this time within the universe of menswear...
I have noticed a strong influence of space and 90s preppy-American, Seattle style space visuals within current visual merchandise.
Places where I have seen the space theme just land are:
Nottingham Contemporary 'Star City Exhibition'
Star Wars X Adidas Collaboration
River Island, Birmingham
Topman, Birmingham
DKNY, Birmingham
3 White Walls Gallery 'Space Lands Exhibition', Birmingham


A key menswear VM trend, from what I saw in Birmingham specifically, orbited around the idea of alien invasion and space theme. The 3 White Walls Gallery was running a great exhibition called 'SPACE LANDS' by Paul Freeman, coincidentally, which I thought had some really nice photographs which could be used (within in-store promotion, lookbooks, VM etc) by brands which are carrying this message.

DKNY were portraying this theme with the words 'Just Landed' used in their shop window. There was a sense of delivery/industry with packages containing clothes, slightly deconstructed and damaged, perhaps dropped of by a couple of fashion conscious aliens (or am I talking out of Uranus!) The use of a green strobe light within the dark back drop looked different but would have been more exciting with several rather than just the one.

River Island.

Topman.
KiD CuDi - Man on the Moon (The Anthem)
Kid CuDi - Enter Galactic

SS10 VM Floral/Pastel - Topshop & Oasis Birmingham


Very Viktor & Rolf SS10. It looked like a flowerbomb had just exploded in the shop window.
Nice use of layering and transparent oversized flowers with pastelle blocks of colour on top of the mannequins.

Bang on Spring 2010 as we expect and love of Topshop.

Oh whAt'S thIS?


Above is the shop window of Oasis, inside the Bullring, which I thought had adapted a nice take on the 'floral'_'pastel'_'fairytale' theme I was seeing a lot of in Birmingham, particuarly within the mid-market retailers of womenswear. The stencil style wrapping around the shop sign and intertwined with the main board made more of an impression than focussing mainly on mannequins and product. The store was also using the oversized 'Book of Charms' feature to show off the current collaboration with textile designer Vanessa Harrington which is part of the current movement by the brand to support British textile talent. It all looked very delicate, dainty and floral which may have some connection to the release of Tim Burton's new take on Alice in Wonderland, since everyone seems to be jumping on this b(r)and-wagon. Also the backing of British talent ties in nicely with the idea of brands looking to fullfill the 'new consumer' needs of a local, honest brand image. sweet like tropicana.